![]() Timeless 3 also offers improvements to the modulation engine and filters, in ways similar to their distortion and saturation plug-in Saturn 2. Timeless 3 doesn’t have to be complicated per se (if you’re not looking to spend a lot of time crafting the delay of your dreams), but the ceiling for cooking up something spectacular is sky high. Like other newer FabFilter releases, Timeless 3 also offers various interface sizes and full-screen mode, which is impressive on larger monitors.īeyond the streamlined new look is the most intricate and powerful set of parameters I’ve ever seen in a delay plug-in. Billed as an analog tape-style delay plug-in, Timeless 3 also touts improved sound quality, reminding me of the Master Tape setting in Soundtoys’ EchoBoy. Most noticeably, the upper left corner of the GUI displays a graphic representation of the delay you’re hearing, and allows you to click on any part of the tail and change the length and gain… it’s a really innovative and fun way to allow the user to dig in and start getting their hands virtually dirty. Timeless 3 features a totally redesigned GUI, bringing it in line with FabFilter’s other plug-ins – simple, sleek, and easy to navigate. With Timeless 3, FabFilter has done it again, pushing the boundaries of what’s both possible and expected in a delay plug-in. I’m used to thinking, “I didn’t know I needed that!” when watching their overview videos. FabFilter has a reputation for taking common effects plug-ins, such as compression and EQ, then elevating them to new, mind-blowing levels of utility and complexity.
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